It is because of his earnest performance that the film, despite glaring flaws, makes for an exciting watch. The film though belongs to Saswata Chatterjee, who as sleuth-cop Shobor Dasgupta completely drives the narrative.

Bhattacharya brings in vulnerability to his character perfectly. A troubled past, a murky present, Bishan is a character who is loved and loathed in equal measures. Playing perhaps one of the most complex characters in the film – Bhattacharya’s performance stands out. The film’s key characters are all good actors and hence are able to create the tense situation that is needed in a thriller.įrom Payel Sarkar to Joya Ahsan to Anirban Bhattachrya- everyone delivers a nuanced performance. Why does Banish-a successful businessman and a magnet to women prefer to be intoxicated and a recluse all the time? Why does his wife, Shivangi-a successful entrepreneur- never leave her husband despite knowing his misdeeds? What dark truth does Nandini know that can ruin Shivangi and Bishan's life? And more importantly- why does Shivangi sleep with a revolver next to her bed on the night of murder? Did she expect the burgalry?Īs Shabor goes around unraveling one mystery after the other, the narrative goes back and forth in time to establish the plot well. The story throws upon several pertinent questions. Sil manages to keep the viewer’s guessing throughout-with ample amount of twists thrown within the film's narrative. Shabor, ably assisted by his assistant Nanda (Subhrojit) goes into the plush residence of Bishan Roy(Anirban Roy) to investigate a murder but realizes that it is not a case of burglary but a crime of passion, deceit and murky past. Where ace cop Shabor Dasgupta (Saswata Chatterjee) has to not only unravel who killed Nandini (Payel Sarkar) but also fight his own inner demons. The first scene itself sets the grim tone of the film.

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